• Todd Stewart Solo Release

  • “I had some stuff I wanted to record,” Stewart attests, but he didn’t wanted to keep it small, and not necessarily get everyone involved who play an integral part in the Northern Beauties.

    “Bands are like marriages,” in that you love everyone involved, but it also develops a pattern that defines it and prevents a single person’s identity from shining through.

    With this solo release, Todd Stewart shaves back the generalities, exposing the raw edges. “Everything in the Northern Beauties album is personal and real,” for Stewart, but to give it the kind of relatability necessary to be able to have Craig Aikman also belt out the lyrics, it needed to be a little bit less specific. With room for optimism, Stewart introduces his own flaws and failings into the new EP, broaching relatability out of directness.

    “Ordinary Love” is the first single, a “mid-tempo and fun” track about the commonality of feeling, and ”the one that people instantly forget about what they are doing and get into” whenever Stewart busts it out live. Most of the EP is fairly downtempo, but with a few sprightly moments, and even a fairly psychedelic detour on “Keep the Animals Dry.”

    Texturally, the recording is mired in the aesthetic of traditionalism, as filtered through the lens of the everyday. A gentle shaker as the sprinkler going off on a tart fall morning with brushed drums by Leon Power (Frazey Ford) as the rattle of children’s footsteps upstairs, carpeted by warm bass from Darren Paris (Frazey Ford).

    Stewart’s intricate fingerpicking works slowly, working in complexity through negative space. There is a space for silence, where his devout lyrical phrases can percolate until washed by golden pedal steel by Matt Kelly (City and Colour), or plaintive harmonica.

    In the writing and recording, the philosophy is, “let it feel good, and then walk away.”

    Stewart privileges feeling over precision, letting the small gaps and imperfections mirror the blemishes of his narratives and experiences. It’s a record that’s big on its smallness, and hits hard with its softness.

    Article re-printed with permission.
    Originally posted on beatroute.ca.
    Thursday October 26th, 2017.
    By Liam Prost.